[youtube=http://www.youtube.com/watch?v=Bc6WW1GGjbk]
An interesting counterpoint to yesterdays self interest post.
Helping others pursue their self interest maybe the best way to pursue your own…
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[youtube=http://www.youtube.com/watch?v=Bc6WW1GGjbk]
An interesting counterpoint to yesterdays self interest post.
Helping others pursue their self interest maybe the best way to pursue your own…
by admin
de Tocqueville once described what he saw as a chief part of the peculiar genius of American society—something he called “self-interest properly understood.” The last two words were the key. Everyone possesses self-interest in a narrow sense: I want what’s good for me right now! Self-interest “properly understood” is different. It means appreciating that paying attention to everyone else’s self-interest—in other words, the common welfare—is in fact a precondition for one’s own ultimate well-being.
This is an excerpt taken from an article published by Vanity Fair and written by Nobel Prize Winning Economist Joe Stiglitz.
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The draft Vision for Leeds is nothing if not ambitious when it comes considering the city’s economy:
By 2030, Leeds’ economy will be prosperous and sustainable. We will create a prosperous and sustainable economy, using our resources effectively. Leeds will be successful and well-connected offering a good standard of living.Leeds will be a city that has:
‘Is a dream a lie if it don’t come true? Or is it something worse?’ – B. Springsteen.
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Some amazing projects in Rotterdam that Leeds could learn from here.
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It seems that the dust is settling after the extravaganza that was Frankenstein’s Wedding came to Leeds. Broadcast live on BBC3, with clips filmed in advance across the city and a live audience of 12000 at Kirkstall Abbey the event was nothing if not ambitious.
[youtube=http://www.youtube.com/watch?v=F4GTbETUyGU]
It strikes me that the production was a lovely example of what can be achieved through a strategy of ‘cultural hunting’. We attract BIG culture to the city and participate avidly in its consumption. ‘Cultural hunting’ is about attracting outsiders, usually on a temporary or short-term basis to provide an experience that we could not put on ourselves.
In contrast to a strategy of ‘cultural hunting’ is one of ‘cultural gardening’. This would be characterised by nurturing the competence and capacity of cultural producers that are already in the city, enabling them to explore the edges of their potential and develop their talents and vision. It is a strategy that ‘starts from where we are, and works with what we have got’.
Getting the balance right between attracting talent from elsewhere and investing in growing your own is always tricky. There are parallels in how you develop football clubs (do you buy your team or bring them through an academy) and how you grow an economy through attracting inward investment or growing your own.
Is Frankenstein’s Wedding and its ilk really what Leeds is looking for? Or is it a more stable platform from which we can develop and showcase more of our indigenous talent?